12 April 2015

Today's Art Class: Pastels and the Renaissance!

Today was my second art class at San Diego's Museum of Art. It's a great series, super reasonable (okay, cheap) and very worthwhile. We studied several paintings with the excellent docent Dianne, who led us from the medieval through the Renaissance and into the modern, in only 5 galleries (only spotlighting one or two paintings in each). We spent a litte more time in the first gallery, the Italian Renaissance. I learned so many new things! Gosh, given my bad hip, how I wished I'd signed up for a docent training at the Museum instead of Torrey Pines State Natural Reserve. I digress.

After observing the changes in styles of painting and materials (Tempura!!!) we headed down to the Museum's art workshop: a fantastically organized yet artistically grungy place of brushes, paints, sinks, and lots of roomy tables. Each one had a vase of sunflowers upon it. (Ours was a little droopy.)

First, instructor Susan Roden, an expert artist in the pastel medium, had us do a quick sketch out of what view we saw of the sunflower arrangement. She had us use a blue pastel for the quick, "gestural" sketch, and then a white for any highlights we noticed in the glass jar, etc.

Then we went to color, finding a background by quickly using the sides of broken chalks to color vast areas. Then, more and more layers ...

Here's my Gestural and "finished (not quite) "painting" not quite). I'm very fond of gestural. Let's just leave it at that.
On right, my first, quick sketch to "solve Problems." On left, I added many "Problems!"



This was not quite my first experience with pastel, although this other technique used a monochrome style and Caran d'Arche pastels that only come in like, four colors. Similar to the stuff Leonardo used, I guess. Anyways, this first one I did remains a favorite: I was lucky enough to study with our local great, Anette Paquette, who takes us all to the Zoo (and we try gestural sketches doing monkeys in flight: yeah, right! maybe monochrome is meant for me!
Warthog Love (just kidding) but it's one of my few "loves" of my art
Sorry for the poor lighting, but it's night and I just wanted to get this post up.

finally, here is one of our teacher's works: She's awesome, in every sense of that overused word:
Deep 4, by pastel artist and teacher Susan E. Roden
Oh, and most finally, several students felt the medium wouldn't be something they'd be returning to, so gave me their chalks!
A limited palette, but I will become the Sunflower Queen of the World!
Maybe I can work on that second "painting" a bit and incorporate Susan's excellent advice. Pastels are a notoriously difficult medium but I would like to put some work into it and see what comes up. Oh, and don't go to the Facebook Pastels group unless you want to just ... die of intimidation! ;)

Hugs, Tina in San Diego

Happy 97th, Mom

I'm determined to try more new techniques this year, especially with paper arts. So I tried a form of paper "dyeing" using shaving cream and alcohol inks. The butterfly was die-cut using one of my more successful marbled papers.

To simplify, you drop drops (in this case, of alcohol inks) into a flat pan (think baking pan) of piled up shaving cream (think Dollar Store). Then you take combs or chop sticks and swirl it all around. Until it reminds you of grooving to that special album back in '68. 

Finally, lay the paper on top and press gently for a minute or two. Let dry. Try it on different papers you have: vellum, watercolor paper, textured paper like mulberry, ultra-smooth paper made for Copics pens ... and even cheapo-copy paper. It's all different, and lots of fun.

Happy 97th, to a wonderful, inspiring Mom!
If you've ever opened an antique book and marveled at how cool its endpapers look, perhaps you were looking at marbeled papers, commonly used on the inner front and end covers in finer books back in the mid-19th to early 20th centuries.
You can also marble fabrics. Maybe wood. Maybe anything. I digress.

Card Recipe: size: 6 1/2" x 5"
Backing Paper: Gypsy Sisters Collection, Kaisercraft
Butterfly die-cut: self-marbled paper using Ranger Alcohol Inks
Die: Tim Holtz for Sizzix Butterfly #2
Lace die-cut: Martha Stewart Doily Lace Trim Double-edge Punch, using the paper below :
DCWV Glitter Stack, pink
Glitter accents: Copper Stickles, by Ranger
Sentiment Stamp: Autumn Leaves Stampology: Between the Lines (check Ebay) oop

Vellum by Recollections, embossed in Gold
Ink: Ranger Distress Ink in Peacock Feathers for Sentiment; Card Edged in Picked Raspberry
Gold Die accent: Spellbinders Majestic Elements Adorning Squares
Aqua star beads on Gold Die accent

I'd like to enter this card into the following challenges:
Quick Quotes: Celebrate Something!
Power Poppy: Pop! of Pastel 

I hope you're having a Spring in your urge to create, whatever your art form may be!


06 February 2015

A Doggie Valentine



A Doggie Valentine

A Doggie Valentine
My doggie friend Rosie hasn't been up to sniff lately ... So I made her a Valentine. Here's the front, above. I like the way the back came out too, see below. The upside-down hearts and paw prints  look as if they're raining down.
Rosie's Valentine, Back view
My kitties, Chevy and Lotus, make all my cards in exchange for treats -- but they insist that every card feature their portraits on the back. It's so fun to watch their little paws handle the stamps and the glue applicator!

Here's what I used to make this card:
The Pet Stack cardstock pad, by DCWV
Die, Sizzix, Tags Scallop Combo #2
Notebook paper, torn and distressed with spring green Copic Markers
Flowers and Bakers Twine, Michaels Stores
Stiching: My adorable Singer Featherweight, c. 1949!

I'm entering this card into the following challenges (yes, there are card and/or layout challenges!!!). How much fun is that?

2 Cute Ink Challenges: Valentines/Love 
Oddball Stamps : Add Some Sparkle